December 17, 2012
oomkzine:

‘I’m dreaming of a black, black Christmas
Black smoke blows against a midnight sky.’
Written by Poly Styrene and her daughter Celeste “Black Christmas’ was a reaction against a horrific shooting spree in 2008 by a man dressed in a Santa suit.
Poly Styrene
(July 1957 –  April 2011)

oomkzine:

‘I’m dreaming of a black, black Christmas

Black smoke blows against a midnight sky.’

Written by Poly Styrene and her daughter Celeste “Black Christmas’ was a reaction against a horrific shooting spree in 2008 by a man dressed in a Santa suit.

Poly Styrene

(July 1957 –  April 2011)

(via girlsgetbusyzine)

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Filed under: zines activism 
November 21, 2012
"I’d actually revel and joyfully shout if a grunge band appeared which dressed tastefully (and I don’t mean having their flannel shirts freshly washed, either), had short, nicely groomed hair, and actually departed from the accepted norm in SubPopdom."

Flipside letters section, 1990

Imagine what the next five years were like for this guy.

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Filed under: Flipside punk zines spite 
November 21, 2012
"It pains me to see a once-respected journal of the “punk” underground becoming merely a forum for neo-classic rock. I am, of course, speaking about SubPop oriented music."

— Flipside letters page, November 1990

November 8, 2012
REMINDER TO “WHITE ALLIES” WHO CONTACT US FOR ASSISTANCE

poczineproject:

Submitting your call for submissions for your primarily or exclusively white-run zine to reach people of color through this platform, without an intro or any context, is inappropriate and the opposite of being a white ally.

Calling yourself a white ally doesn’t make you a white ally. Expecting POC Zine Project to signal boost a call for contributions to a zine that historically features white-only contributors is a gross display of white privilege.

Not reading our FAQ for white allies before submitting your call, that details the steps for white folks to submit their calls to POC Zine Project, before submitting, is equally gross.

It is not our job, or any person of color’s job, to help you find brown people to feature in your historically “by white people/for white people” zine because you lack enough friends of color in your own social circles to approach for collaboration.

We are tired of being nice about this.

Most of the time we are approached by white folks who understand the concept of being an ally and these have been positive exchanges, frequently resulting in collaborations.

But over the past few months - directly connected with the rising visibility of POC Zine Project in zine communities due to the Race Riot! tour - we’ve received more “help me do x” emails and requests for signal boosts from white folks. There is nothing wrong with that.

What is most definitely wrong and derails the possibility of a positive exchange is not checking your privilege before approaching us for assistance.

What is definitely not appreciated is expecting us to assume that just because you call yourself a “white ally,” that must be true. We owe it to our community to present them with facts, not assumptions.

We will not signal boost ANYTHING by any white person simply because they call themselves an ally. We take the role of white allies in the struggle for liberation and equality very seriously. It’s insulting to us and to true white allies when white people use that term but continue to behave in a manner that is silencing and oppressive to people of color.

We expect, and have a right to demand, that if you’re a white person who wants us to signal boost your call for submissions to your zine, that you provide us with at least some related links and other documentation that demonstrates your history of being a white ally. This is clearly spelled out in the FAQ.

Excepting us to take hours of additional time researching whether are not your are an ally by reading all your zines and fact-checking - because you didn’t bother to share any kind of context - is just another example of white privilege within zine communities.

Scanning one of your zines and finding it filled with photos of white folks, and none of people of color, forces us to assume that you are in denial about your privilege. Featuring ONE person of color in your zine series, which otherwise largely features white contributors only, IS TOKENIZING. YOU ARE NOT BEING AN ALLY.

If you don’t provide context or background when you approach us for support (which should be common courtesy), our only recourse is to take time to research who you are and what you’re about. And we would rather use that time to empower and support POC who are tired of being silenced by people like you. So we won’t do that anymore. Ever again.

Come correct, please. You don’t like your time wasted and neither do we. Check your privilege.

We are, and will always be, primarily a resource for people of color. We appreciate our white allies who understand this and support our goals, knowing that our liberation is their liberation and the path to freedom.

Thank you.

*drops mic, walks off*

- POC ZINE PROJECT

Srsly

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Filed under: white supremacy zines 
October 29, 2012
billdaniel:

Mostly True, 2nd edition out now!
Also at microcosmpublishing.com

billdaniel:

Mostly True, 2nd edition out now!

Also at microcosmpublishing.com

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Filed under: zines Bill Daniel! 
October 19, 2012

bcaheritage:

“long-lost boyfriends should stay lost…”

When looking for advice the Dear Maisie page of 1960s magazine Flamingo is always a good place to start. 

Flamingo was launched 1961, from its offices in Charlton St, London NW1. Its first issue noted the 350,000 West Indian’s then living in Britain and stated that “up till now these Negro citizens of Britain have been denied a Voice.”

Edited by Edward Scobie, contributors included George Lamming, Jan Carew, founder of the BCA Len Garrison and Sydney Poitier. Flamingo closed in 1963.

BCA’s collection includes over 200 periodical titles published by Black communities in Britain, over half are unique to the BCA and can not be found in any other collection in the UK. 

References: 
Hoyles, Asher and Hoyles, Martin (2011) Caribbean Publishing in Britain: A Tribute to Arif Ali. Hansib Publications

Benjamin, Ionie (1995). The Black Press in Britain. Trentham Press

I love this so much. I wonder why they called it Flamingo. (I mean, there are some obvious reasons but still)

(via educationforliberation)

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Filed under: zines white supremacy 
October 5, 2012
Jackie and me
me: I found your zine from 1992 and reread it today! IT IS STILL GENIUS.
not me: OMG will you scan it and send it to me? What are you doing now?
me: I am working on a book about Valerie Solanas. What are you doing?
not me: I am writing for Joan Rivers and Roseanne!
me: We totally grew up to be exactly who we are supposed to be, wow.
October 3, 2012
sadgirlsnyc:

Sad Girls issue 1.

sadgirlsnyc:

Sad Girls issue 1.

(via girlsgetbusyzine)

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Filed under: zines activism 
September 17, 2012

handgrenade2:

queerinsurrection:

hoaxzine:

verbalprivilege:

fromonesurvivortoanother:

ood:

BIG PHOTOSETS FOREVER FOR THEY ARE MUCH HARDER TO IGNORE / a lot of these don’t have hi-res versions available, but i still want to post them

This was not an exaggeration. The government ignored the issue of HIV/AIDS for years before anything was done. Gay and Queer communities had to form their own clinics because no government agencies cared for them. Back then, being diagnosed was equivalent to a death sentence or extreme debt and poor quality of life/a significantly shortened lifespan.

Things got so desperate that people literally had “Die-Ins”— in contemporary usage this refers to masses of people simulating death in order to protest something (like the War in Iraq). In this case, however, fatally sick people would literally lie down in public places and protest with what little energy they had left until they died. There is some footage of a church Die-In in the documentary Beyond Stonewall.  The middle image here of that person’s jacket is not an extreme political statement; it’s what people had to do because they had no other options.

wow.


never forget

Folks also dropped their loved ones cremated ashes on the White House lawn multiple times.  Bash Back also simulated die-ins at churches using chicken blood.  Intense performative and affective tactics.

Everyone should read “Moving Politics” by Debbie Gould.

The struggle of queers at the height of the AIDS crisis was so powerful that I’m disgusted that so many people don’t know about it/forgot about it.

I have a box of HIV/AIDS zines from This Time that I’m giving to Fales. They are amazing—one of them, Diseased Pariah News even had a flexi-disc! Never forget.

(via hunger-painsss)

September 13, 2012
sonnywithano:

Cristy!!! <3

Wah, do you know Christy? There are plans, everyone knows everyone, good good.

sonnywithano:

Cristy!!! <3

Wah, do you know Christy? There are plans, everyone knows everyone, good good.

(Source: poczineproject, via funkyfest)

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Filed under: zines circles 
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