—
The Combahee River Collective. 1979. ‘8 Black Women, Why Did They Die?’ Radical America 13.5: 46. (via james-bliss)
NINETEEN SEVENTY NINE
(via so-treu)
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The Combahee River Collective. 1979. ‘8 Black Women, Why Did They Die?’ Radical America 13.5: 46. (via james-bliss)
NINETEEN SEVENTY NINE
(via so-treu)
A female musher participates in a dog sled race through Nome, Alaska, March 1919.
Photograph by Thomas A. Ross, National Geographic
(via coolchicksfromhistory)
Female Protesters Calling For The Release Of Angela Davis From Prison, Xamar (Mogadishu), Somalia, 1972
(via educationforliberation)
Badass.
The White House has disinvited the poets
to a cultural tea in honor of poetry
after the Secret Service got wind of a plot
to fill Mrs. Bush’s ears with anti-war verse.
Were they afraid the poets might persuade
a sensitive girl who always loved to read,
a librarian who stocked the shelves with Poe
and Dickinson? Or was she herself afraid
to be swayed by the cooing doves, and live at odds
with the screaming hawks in her family?
The Latina maids are putting away the cups
and the silver spoons, sad to be missing out
on música they seldom get to hear
in the hallowed halls… The valet sighs
as he rolls the carpets up and dusts the blinds.
Damn but a little Langston would be good
in this dreary mausoleum of a place!
Why does the White House have to be so white?
The chef from Baton Rouge is starved for verse
uncensored by Homeland Security.
NO POETRY UNTIL FURTHER NOTICE!
Instead the rooms are vacuumed and set up
for closed-door meetings planning an attack
against the ones who always bear the brunt
of silencing: the poor, the powerless,
the ones who serve, those bearing poems, not arms.
So why be afraid of us, Mrs. Bush?
you’re married to a scarier fellow.
We bring you tidings of great joy—
not only peace but poetry on earth.
—
“The White House Has Disinvited The Poets” by Julia Alvarez. Alvarez wrote this piece after Laura Bush, wife of then-president George W. Bush, cancelled a tea for poets because many quest speakers planned on protesting the War on Iraq. (via reclaimingthelatinatag)
Love Julia Alvarez
(via ayatollahofsass)
How can so much punk fit into one photo? Chrissie Hynde, Deborah Harry, Viv Albertine, Siouxsie Sioux(, Poly Styrene, Pauline Black.
I am honored and humbled to receive this award from NYAAF. I receive it on behalf of the Black women and girls that contact you for resources for their abortions. I am disheartened by the lack of women of color present at this event tonight.
“I am a Black woman. Tall as a cypress. Strong beyond all definition. Still defying place, time and circumstance. Assailed. Impervious. Indestructible. Look on me and be renewed.” Mari Evans
I am honored that the New York Abortion Access Fund has granted me this honor. I accept this award in firm solidarity with the Jackson Women’s Health Organization, the only abortion clinic in Mississippi. Poor women and young women and their families are going to suffer. If this closing moves forward in 6 weeks we are going to find the women in the South facing a major crisis in access and resources to abortion services. When Black women were 13x’s more likely to die from an illegal abortion than white women pre-Roe, I am terrified. I know that women are desperate to make decisions and have the access to the resources we need to make decisions about our lives.
According to every statistic, disparity, social determinant and other quality of life measuring systems, it’s a miracle that I as a Black woman with an ancestral linkage to slavery in this country am even standing before you all holding any understanding of my dignity. The fight for abortion rights and access from my vantage point is inextricably linked to racial and economic justice both within the organizations and among the individuals who do the work and the larger systemic issues of poverty and the rights that it takes away. Like the right to our privacy, lives, ability to space our children, and the right to be free of cruel, inhumane or degrading treatment, I speak for the Black women and girls who want access to both our decisions and the resources to plan our family’s and to pay for our abortions.
I speak for Black women in the Reproductive Health, Rights, & Justice movements when I say equal treatment and investment of resources in our work has to change to reflect the value and quality of our work, when many of us are making and are offered little to nothing to do this work.
We sacrifice many things to fight and be present for our very ability to be relevant and exist in a way that we define as respectful. When the racist anti-choice billboards reared their ugly head it was traumatizing and heartbreaking to see black women’s decisions and access be used as a tool of propaganda to further the causes of patriarchal agendas. However ugly that campaign was and still is, it was through the strength of allyship and our collective movement that defeated the billboard campaign and shed light on how disrespectful and ridiculous it truly is.
The future of Black women’s activism on abortion is repealing HYDE at its 40th anniversary in 2016. How we build on the momentum of this moment will determine if we will allow poor women, women of color, young women, women in the military, immigrants and native women to be thrown under the bus, or if we are really the movement we say we are that is dedicated to equal access for ALL women. These next 3 years will determine if that is true.
Words that inspire my activism:
“If you are deaf, dumb and blind to what’s happening in the world, you’re under no obligation to do anything. But if you know what’s happening and you don’t do anything but sit on your ass, then you’re nothing but a punk.” Assata Shakur
I hope I’m not in the company of punks.
I am so proud and honored to have Jasmine as a friend, and these words are just one reason why. They were powerful that night—may they have more power online. xoxoxo
Yolanda M. Lopez: The Virgen de Guadalupe Series
Yolanda Lopez is a scholar, activist and artist whose work reflects great pride in her Mexican heritage. Lopez is best known for her Guadalupe Series—a series of pastel-on-paper pieces in which Lopez merges the important Mexican/Indigenous symbolism of the Virgen de Guadalupe with everyday depictions of Mexican women; (pictured above)
On her ground-breaking and sometimes controversial Virgen de Guadalupe Series Yolanda Lopez says:
I originally did the Virgin de Guadalupe series when I was looking at media. I wanted to look at the images that we have of the Virgin–she was essentially the most ubiquitous female Latina. What was its meaning? So, I did the first one of myself running.
Then I did the image of my mother [as the Virgen] who was working at the Navel Training Center at a sewing machine, so I wanted to show her as a working woman. This is one of the problems with the Virgen de Guadalupe being so ubiquitous, there is no real imagery of Latinas at the work that we do.
The other one was that of my grandmother. The Virgen de Guadalupe is always this beautiful, young thing. Yet there is no depiction of her as an older woman. I was conscious about this and so that‘s why I did my grandmother as an older woman. I see the Virgen de Guadalupe as being the great Aztec goddess and I think that’s one of the reasons why she has such a strong, indefinable hold on Mexicans and women in general. Its more primordial. I think the great Aztec goddess, Cuatlique, depicts the primal forces in nature: life, death and rebirth. (via latinopia)
More on Yolanda M. Lopez:
- Yolanda Lopez (UC Santa Barbara Library)
- Women’s Work Is Never Done (Persimmon Tree}
- Yolanda Lopez (2009, Karen Mary Davalos)
Images courtesy of The Marian Library International Marian Research Institute and can be viewed in full here.
(via girlsgetbusyzine)
goals
one time i went to nyu group therapy for being lonely
FASHION ALERT!!!: this summer’s hottest trend is going to be cut-off shorts with the leg bits still on your body like thigh high legwarmers
This dude was happily taking pictures of girls legs, feet and whatever else he pleased without their consent. So I snapped my...
this is basic baby bullshit trash and also fascist hippie tripe and you need to miss me with it.
Queen